Archive for March, 2014

The 4-Track Tape Trader’s Club

Posted in Creativity with tags , , , , , , , , , , , , , , , , , , , , , , , , on March 26, 2014 by Gideon K

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I mentioned a little earlier on that I’d been collaborating with various musicians on an experimental tape project. The idea behind the whole thing was to make music for the sake of making music.

I wanted to play with people without any kind of formalities or real responsibilities. It has been hard (in London) to find people who are willing to just let go of their egoic sense of purpose, band, career even and just find the time to make noise for the sheer joy of it. To take the leap and collaborate awkwardly and nakedly with strangers.

I was inspired principally by the idea of double-exposure on analogue film; where two different photographers take pictures over the same roll of film. The results are often chaotic, and either brilliant or a complete mess. I wanted to find a way for that gamble to translate musically, and given the inherent limitations of cheap analogue mediums, my mind turned towards 4-Track Cassette tape. I’d been looking for a way to use 4-Track for a while because of its ease of use, throwaway nature of the results, and to a certain degree the way it has now become almost entirely obsolete.

Of course, there is also a certain romanticism about 4-track tape, especially to someone whose musical adolescence was shaped in a big way by lo-fi independent music made using such equipment, but having learned of Josh Homme’s Desert Sessions, I had been searching for a means of doing something similar for a long time.
The problem is that in London, not many people have access to their own studios for recording a whole band live, and those who do are rarely up for the idea of getting groups of people together to record just for fun – they’ve got bills to pay. That’s understandable.

The tape idea has helped fill this gap to a certain degree. It may not have the immediacy of getting everyone together in the same room (in fact, at this point I still haven’t met some of the other collaborators on this project face-to-face yet), but the hidden blessing is that freed from other people’s presence, gaze, and breathing on their neck, everyone is free to do whatever they feel like within the confines of the tracks they record. It has been very surprising, and a lot of fun.

On a personal level, having spent so much time, effort, and focused concentration making sure all the Black Hay recordings have been ‘just right’, and working in quality studios, with quality equipment, for long hours making sure everything sounds nice, it is a nice relief to be able to rebel against that and against myself in a way, by throwing all of those notions and lessons out the window and just going wild with it. I’m not saying anything against quality recordings or the somewhat laborious nature of studio recording, just that a change is as good as a rest. It’s a welcome and invigorating contrast to be able to lay down such horrible noises, and for them to still sound ‘good’ to my ears.

Here are the results from the first ‘Project’. The second one has been underway for a while, but that particular saga is ongoing…

 

 

 

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Traffic Lights

Posted in Me Oh My, Poetry with tags , , , , , , on March 25, 2014 by Gideon K

Traffic Light Picks

I laid out my plectrums
Like traffic lights

– Stop.
– Wait.
– Go.

The one for stop is the thinnest
The one that says ‘Go’
Means business