Archive for Experimental

Shadows: An Improvised Film Score

Posted in Film Music, Playing Live with tags , , , , , , , , , , , , on December 17, 2015 by Gideon K

 

This was a really fun project to do. A few of us were discussing the idea of doing an improvised score for a silent film or something like that. We wanted to do something experimental. Luckily, our filmmaker friend Fraser Watson was really up for the idea. I like working with Fraser because apart from being very easy to get along with, anytime you throw out a weird idea at him, something that could potentially be really fucked up, he gets quite enthusiastic about it – which I find both amusement and enjoyment from.

We ‘commissioned’ Fraser to make a 3-act 15 minute silent short film, which he did with customary aplomb and speed. Then we got together a few times to ‘rehearse’, which was essentially jamming along as we watched the footage, talking about what worked, what didn’t, and deciding in advance a few parameters to put limitations on so that we could have a starting point. To quote Charles Mingus – “You can’t improvise on nothin’, man”.

I say jamming, which it was, but it was jamming with a purpose. We had the image to guide the feeling and tone we should have been trying to create.

 

The music on the film was recorded at a screening of the film at New River Studios with the 6 of us improvising along with the moving image. Andy Watzik recorded the whole thing on his laptop and after a little mixing, the music was synced to the film.

We were all excited by how it turned out, partly because it was quick and relatively painless to put the whole thing together, but also partly because it was an interesting surprise to see how it turned out. As far as I am aware, none of us had done anything quite like it before

We’re currently looking for more projects to do another improvisation to, so if anyone is interested in collaborating with us, get in touch.

 

The other musicians involved were (and still are presumably):

Stephan Barrett – Piano
Danny Conroy – Keys
Dan Strange – Saxophone
Andy Watts – Trumpet
Andy Watzik – Guitar

And me on bass.

 

 

The 4-Track Tape Trader’s Club

Posted in Creativity with tags , , , , , , , , , , , , , , , , , , , , , , , , on March 26, 2014 by Gideon K

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I mentioned a little earlier on that I’d been collaborating with various musicians on an experimental tape project. The idea behind the whole thing was to make music for the sake of making music.

I wanted to play with people without any kind of formalities or real responsibilities. It has been hard (in London) to find people who are willing to just let go of their egoic sense of purpose, band, career even and just find the time to make noise for the sheer joy of it. To take the leap and collaborate awkwardly and nakedly with strangers.

I was inspired principally by the idea of double-exposure on analogue film; where two different photographers take pictures over the same roll of film. The results are often chaotic, and either brilliant or a complete mess. I wanted to find a way for that gamble to translate musically, and given the inherent limitations of cheap analogue mediums, my mind turned towards 4-Track Cassette tape. I’d been looking for a way to use 4-Track for a while because of its ease of use, throwaway nature of the results, and to a certain degree the way it has now become almost entirely obsolete.

Of course, there is also a certain romanticism about 4-track tape, especially to someone whose musical adolescence was shaped in a big way by lo-fi independent music made using such equipment, but having learned of Josh Homme’s Desert Sessions, I had been searching for a means of doing something similar for a long time.
The problem is that in London, not many people have access to their own studios for recording a whole band live, and those who do are rarely up for the idea of getting groups of people together to record just for fun – they’ve got bills to pay. That’s understandable.

The tape idea has helped fill this gap to a certain degree. It may not have the immediacy of getting everyone together in the same room (in fact, at this point I still haven’t met some of the other collaborators on this project face-to-face yet), but the hidden blessing is that freed from other people’s presence, gaze, and breathing on their neck, everyone is free to do whatever they feel like within the confines of the tracks they record. It has been very surprising, and a lot of fun.

On a personal level, having spent so much time, effort, and focused concentration making sure all the Black Hay recordings have been ‘just right’, and working in quality studios, with quality equipment, for long hours making sure everything sounds nice, it is a nice relief to be able to rebel against that and against myself in a way, by throwing all of those notions and lessons out the window and just going wild with it. I’m not saying anything against quality recordings or the somewhat laborious nature of studio recording, just that a change is as good as a rest. It’s a welcome and invigorating contrast to be able to lay down such horrible noises, and for them to still sound ‘good’ to my ears.

Here are the results from the first ‘Project’. The second one has been underway for a while, but that particular saga is ongoing…

 

 

 

Some of what I’ve been up to in the last year.

Posted in Creativity, Me Oh My, Songwriting with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 2, 2014 by Gideon K

Gideon K @ Velvet Tongue Autumn 2013

As you’ve seen I’ve  not been blogging much, but I guess I’ve been actually DOING a lot of stuff. Mostly musical projects:

Black Hay:

After finishing the EP and then putting it out earlier last year, I spent a heap of time finishing off a full-length Black Hay album. It was a lot of work because I wrote and arranged everything, and then played all the guitar and bass on it, as well as doing all the singing. In fact for the most part, it was just myself and David working on the tracks. There are a number of tracks with drums on where we enlisted the ever-reliable Guillaume to smash the tubs, and a few cameos by some mates of mine, but other than that it was pretty much a solo thing. It is a good thing because now I’ve mostly got that out of my system and can get on with making band music.

Also, regarding Black Hay, I’ve finally found a semi-solid lineup and we’re releasing a single, made a video directed by Josh, and featuring Missa Blue.

JB Newman & The Black Letter Band:

Since late 2012 I’ve been playing bass and upright bass with my padre JB Newman and his band. We’ve done a fair bit of gigging, most of which have been amongst the liveliest shows any of us have ever played. We recorded a bunch of tracks in march 2013 at River Rat Studios and have put out a single and an ep since then and played some incredible shows. One of the best bands I’ve played in.

4-Track Tape-Traders Club:

On top of all this, I’ve got a bit of a curveball to throw in. I started a 4-Track tape chain-mail group with a bunch of guys I found on soundcloud as well as some guys I already knew. It’s the furthest I’ve been into ‘experimental’ music and the project I have the least amount of control over. It’s gloriously unpredictable and you can hear some of the sonic chaos over here.

More on this little project soon…

I’ve been doing some session work here and there as well as writing more songs, and doing the occasional bit of poetry. I’ve become a regular at the amazing and still relatively unknown (erotic) literary event Velvet Tongue. I’ve done a bunch of different poems at their open mics that have gone down really well and have my first feature-length slot as a poet in May this year.

I’m intending to outdo myself this year.

How?

Finish writing another album and record it with the band. Play lots more shows with Black hay and JB, do more tape collaborations, work on some films, make some videos. You name it, I’ll try it. I’ve got too many ideas to fit into one year ahead of me.