Archive for In Deep

Film Soundtrack: In Deep

Posted in Creativity, Film Music with tags , , , , , , , , , , , , , , , , on December 9, 2015 by Gideon K

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I met Keir at a film networking event. Josh was screening his Japanese Doctor Who film and Keir was screening a short film he had made. We got talking afterwards and he was telling me about this film he had shot all in one day with two actors and a soundguy. When he sent me a copy of the film I pretty much told him that he HAD to let me do the music for it because he wasn’t going to find anyone else who got what his film was about as much as I did.

I gave him some kind of bullshit rap about that which was 100% earnest and genuine, but seems kind of funny in hindsight. Then again, I guess it’s important to work with enthusiastic people.

Initially I had this whole other idea for how to go about the music for the film (quite a good idea that I’m not going to divulge because I plan to use it for another project someday). Partly it was based on metamorphosis and diversity since the film is quite long for a short film. Ultimately the initial idea didn’t work, and all that remained from my first sketches was the main theme that opens the film and reappears later on. I ended up pursuing more of that vibe and all of the pieces for this film have that soft, dreamy quality to them in one way or other. The aim was to capture a feeling of space and softness, mostly.

I tried to match the tone of the film in the sense of having two or more, but mainly two instruments weaving in and out of each other and tentatively touching around each other. Also, because of the relative sparsity of notes, I used a lot of tremolo and reverb on most of the guitars partly to try to accentuate the sense of space, light and softness, but also just because I like the sound of them.

Indulgence is ok if it works.

I started recording the pieces shortly after I had upgraded my recording gear, and it was a lot of fun experimenting with recording at home with some of my amps and outboard effects units rather than using just using plugins. I usually prefer the sound of a nice warm tube amp over a VST plugin if I have the choice.

One of the reasons this project took me a little while to finish, is that I have this ‘problem’ if you will, in that sometimes I can’t quite bring myself to make a piece of music that is only the duration of the bit it is used for – I feel like I have to make the segment or section used into a fully developed piece, even if it’s quite short. I don’t like leaving musical orphans lying around in my wake. So some of these pieces are 5 mins long even though they are only in the film for about 30 secs each. I don’t mind that though, because in the end I think film music should work as music that can be listened to on its own as well as with the film, in much the same way as I think often a good film will still work if you take all of the music out of it.

Sadly I can’t share the video of the film at this point in time. There’s a little trailer here (which I didn’t do the music for). But I will share the full film if/when I get the ok from the director.

In the meantime, all of the music below is in the film.