Archive for video

Film Soundtrack: In Deep

Posted in Creativity, Film Music with tags , , , , , , , , , , , , , , , , on December 9, 2015 by Gideon K


I met Keir at a film networking event. Josh was screening his Japanese Doctor Who film and Keir was screening a short film he had made. We got talking afterwards and he was telling me about this film he had shot all in one day with two actors and a soundguy. When he sent me a copy of the film I pretty much told him that he HAD to let me do the music for it because he wasn’t going to find anyone else who got what his film was about as much as I did.

I gave him some kind of bullshit rap about that which was 100% earnest and genuine, but seems kind of funny in hindsight. Then again, I guess it’s important to work with enthusiastic people.

Initially I had this whole other idea for how to go about the music for the film (quite a good idea that I’m not going to divulge because I plan to use it for another project someday). Partly it was based on metamorphosis and diversity since the film is quite long for a short film. Ultimately the initial idea didn’t work, and all that remained from my first sketches was the main theme that opens the film and reappears later on. I ended up pursuing more of that vibe and all of the pieces for this film have that soft, dreamy quality to them in one way or other. The aim was to capture a feeling of space and softness, mostly.

I tried to match the tone of the film in the sense of having two or more, but mainly two instruments weaving in and out of each other and tentatively touching around each other. Also, because of the relative sparsity of notes, I used a lot of tremolo and reverb on most of the guitars partly to try to accentuate the sense of space, light and softness, but also just because I like the sound of them.

Indulgence is ok if it works.

I started recording the pieces shortly after I had upgraded my recording gear, and it was a lot of fun experimenting with recording at home with some of my amps and outboard effects units rather than using just using plugins. I usually prefer the sound of a nice warm tube amp over a VST plugin if I have the choice.

One of the reasons this project took me a little while to finish, is that I have this ‘problem’ if you will, in that sometimes I can’t quite bring myself to make a piece of music that is only the duration of the bit it is used for – I feel like I have to make the segment or section used into a fully developed piece, even if it’s quite short. I don’t like leaving musical orphans lying around in my wake. So some of these pieces are 5 mins long even though they are only in the film for about 30 secs each. I don’t mind that though, because in the end I think film music should work as music that can be listened to on its own as well as with the film, in much the same way as I think often a good film will still work if you take all of the music out of it.

Sadly I can’t share the video of the film at this point in time. There’s a little trailer here (which I didn’t do the music for). But I will share the full film if/when I get the ok from the director.

In the meantime, all of the music below is in the film.

Some of what I’ve been up to in the last year.

Posted in Creativity, Me Oh My, Songwriting with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 2, 2014 by Gideon K

Gideon K @ Velvet Tongue Autumn 2013

As you’ve seen I’ve  not been blogging much, but I guess I’ve been actually DOING a lot of stuff. Mostly musical projects:

Black Hay:

After finishing the EP and then putting it out earlier last year, I spent a heap of time finishing off a full-length Black Hay album. It was a lot of work because I wrote and arranged everything, and then played all the guitar and bass on it, as well as doing all the singing. In fact for the most part, it was just myself and David working on the tracks. There are a number of tracks with drums on where we enlisted the ever-reliable Guillaume to smash the tubs, and a few cameos by some mates of mine, but other than that it was pretty much a solo thing. It is a good thing because now I’ve mostly got that out of my system and can get on with making band music.

Also, regarding Black Hay, I’ve finally found a semi-solid lineup and we’re releasing a single, made a video directed by Josh, and featuring Missa Blue.

JB Newman & The Black Letter Band:

Since late 2012 I’ve been playing bass and upright bass with my padre JB Newman and his band. We’ve done a fair bit of gigging, most of which have been amongst the liveliest shows any of us have ever played. We recorded a bunch of tracks in march 2013 at River Rat Studios and have put out a single and an ep since then and played some incredible shows. One of the best bands I’ve played in.

4-Track Tape-Traders Club:

On top of all this, I’ve got a bit of a curveball to throw in. I started a 4-Track tape chain-mail group with a bunch of guys I found on soundcloud as well as some guys I already knew. It’s the furthest I’ve been into ‘experimental’ music and the project I have the least amount of control over. It’s gloriously unpredictable and you can hear some of the sonic chaos over here.

More on this little project soon…

I’ve been doing some session work here and there as well as writing more songs, and doing the occasional bit of poetry. I’ve become a regular at the amazing and still relatively unknown (erotic) literary event Velvet Tongue. I’ve done a bunch of different poems at their open mics that have gone down really well and have my first feature-length slot as a poet in May this year.

I’m intending to outdo myself this year.


Finish writing another album and record it with the band. Play lots more shows with Black hay and JB, do more tape collaborations, work on some films, make some videos. You name it, I’ll try it. I’ve got too many ideas to fit into one year ahead of me.

Creation Comes First

Posted in Creativity with tags , , , , , , , , , , , , , , , , on April 11, 2011 by Gideon K

Does anyone notice how in the bible and in most creation other stories, creation came first and commerce came a long time after?

Do you not think that if God thinks it’s a good idea to do things that way, we should consider taking note?

Especially seeing as he’s still (just about) in the game after all this time.

“What really interests me is whether God had any choice in the creation of the world.” – Albert Einstein

It’s amazing how some people talk about writing a song and before they even have the tune, or a single lyric they are already talking about what they’re going to wear in the video, where on the album it’s going to go or whether they could get ‘X Famous Singer’ to do a version of it.

To me, it seems like that way is very cart-horse.

Besides, as a musician when it comes to the muse I can be pretty superstitious.

If you focus on the creativity part though and do justice to that, I truly believe the commerce side will be much easier – as an after thought.

And you’ll believe in your product because you’ll know it’s the best thing you could’ve done. That makes something a lot easier to sell.

It’s ok to guide or channel your creative flow into a specific direction, but if you’re only doing something because you think you’ll get paid for it I think you warp your natural urges into something else. You put a kink in the hose of your own creativity.

For me, if my primary reason for creation is anything other than a need to dig something up from myself, to perform catharsis, or a quest to find something out, then the result is usually mundane and uninspiring.

Craft and commerce definitely have their place and I’m highly interested in both, but without the other element you’re left with ‘a corpse without soul’ to quote Merciful Fate.

You can take this all with a pinch of salt given that I don’t make a living playing music and am hardly killing it commercially, but hey, do you think God saw any of the royalties from book sales?