Film Soundtrack: Japanese Dr Who

 

My multi-talented brother Josh has all sorts of crazy ideas now and then, and usually one way or another I get roped into helping out with them. This was one of his more successful bouts of creative lunacy as the video went viral quite quickly.

Summer 2014 he decided to make a Tokusatsu style parody of Dr Who. He has written a bit about it here, and the short film ended up going somewhat viral when he put it out.

My involvement in the film was (aside from driving to the park to shoot and so on,) was doing the sound and voice recording, getting the right kind of ring modulation for the Dalek sounds, and also doing the music, which is the bit that I’m most proud of.

At this point in time, it is the piece of music I’ve made that has been heard by the largest number of people – not a song I’ve slaved away for months writing, not any band recording I spent ages sculpting the right parts for or anything like that, but a goofy bit of trumpet-based rock n roll.

You have to laugh at the strange universe we live in.

It was all based around that little motif that the trumpets play. I didn’t even write that so much as adapt it from this tune Akie kept humming while we were filming. I made a midi track of everything, and sent it to my mate mate Jon, who kindly recorded real drums from the patterns I had programmed, and then. Andy Watts did the same thing with the trumpet parts. Add bass, keyboards, dash of lemon, and there you go.

 

 

One interesting thing about the sound on the video: Josh was going for the look of an old VHS tape, so to try and match that kind of quality (or lack of), I ran the soundtrack and all the dialogue, sound effects etc onto a worn-out cassette tape and then back into the computer so it had the gooey, squishy sound and hiss. The version of the track on my soundcloud is just the mix from the computer.

 

 

 

Some of what I’ve been up to in the last year.

As you’ve seen I’ve  not been blogging much, but I guess I’ve been actually DOING a lot of stuff. Mostly musical projects:

Black Hay:

After finishing the EP and then putting it out earlier last year, I spent a heap of time finishing off a full-length Black Hay album. It was a lot of work because I wrote and arranged everything, and then played all the guitar and bass on it, as well as doing all the singing. In fact for the most part, it was just myself and David working on the tracks. There are a number of tracks with drums on where we enlisted the ever-reliable Guillaume to smash the tubs, and a few cameos by some mates of mine, but other than that it was pretty much a solo thing. It is a good thing because now I’ve mostly got that out of my system and can get on with making band music.

Also, regarding Black Hay, I’ve finally found a semi-solid lineup and we’re releasing a single, made a video directed by Josh, and featuring Missa Blue.

JB Newman & The Black Letter Band:

Since late 2012 I’ve been playing bass and upright bass with my padre JB Newman and his band. We’ve done a fair bit of gigging, most of which have been amongst the liveliest shows any of us have ever played. We recorded a bunch of tracks in march 2013 at River Rat Studios and have put out a single and an ep since then and played some incredible shows. One of the best bands I’ve played in.

4-Track Tape-Traders Club:

On top of all this, I’ve got a bit of a curveball to throw in. I started a 4-Track tape chain-mail group with a bunch of guys I found on soundcloud as well as some guys I already knew. It’s the furthest I’ve been into ‘experimental’ music and the project I have the least amount of control over. It’s gloriously unpredictable and you can hear some of the sonic chaos over here.

More on this little project soon…

I’ve been doing some session work here and there as well as writing more songs, and doing the occasional bit of poetry. I’ve become a regular at the amazing and still relatively unknown (erotic) literary event Velvet Tongue. I’ve done a bunch of different poems at their open mics that have gone down really well and have my first feature-length slot as a poet in May this year.

I’m intending to outdo myself this year.

How?

Finish writing another album and record it with the band. Play lots more shows with Black hay and JB, do more tape collaborations, work on some films, make some videos. You name it, I’ll try it. I’ve got too many ideas to fit into one year ahead of me.

What I’m currently up to 05/03/2011

I’m currently working on my own band or project called Black Hay.

I had a band under this name in 2009, but that didn’t quite go as far as it could have before temporarily falling apart, and in 2010 I’ve been playing with Ghostnotes too much of the time to concentrate on anything else.

I’ve been meaning to revive the beast though. I have an almost album’s worth of songs, along with a clear concept sonically, thematically, artistically. And it won’t go away.

I thought it made more sense to try and get the material recorded (or at least demoed) first instead of trying to put another band together and THEN recording.

I realised it’s not the kind of project where I’m looking for someone else’s input to help me realise its potential, I’m going to be singing these songs, I can play guitar, bass and keys to the sort of level I need to play my music, I just need people with certain skills to do the things I physically cannot.

I’ve been highly inspired by my mate Lee’s DIY approach to this regarding his band Dumbjaw, and getting some great sounding tracks done for very little money with just a bit of grit, persistence and balls.

What I have been doing is looking for:

– A drummer, the right drummer, a groovy, hard-hitting ROCK drummer to help me realise these songs.

– A producer/engineer to help record and get it sounding good.

My plan is to take each song one at a time, rehearse, arrange, demo, and get everything tight and shiny. Then and only then do we go about recording perhaps only bass and drums live with everything else on top.

Once one song is done, repeat the process with the next song, rather than trying to tackle a whole bunch of songs at the same time.

That’s pretty much all I’m focused on at the moment, writing songs for this album idea.

I know a few guys who play bass and guitar that might be able to help out if I need them, and should I require other instruments, I’ll look for them but for now that is all.

Who knows which ones will go into the final thing or what I’ll use it for or do with it once I’m done. All I know is this urge is driving me crazy if I don’t do it.

Do the work, decide what to do with it afterwards.

Crazy? Silly? Moi?